Showing entries 60 - 70 out of 182

Rosenberg, R. (2015). Michelangelos Medici-Grabmäler in Florenz. Was heißt es, ein Kunstwerk zu verstehen? In K. Marek, & M. Schulz (Eds.), Kanon Kunstgeschichte 2. Einführung in Werke und Methoden, Neuzeit (pp. 214-238). München: Wilhelm Fink.

Valuch, C., & Ansorge, U. (2015). New perspectives on familiar issues: How visual attention and memory help establishing continuity in edited moving images.. Poster session presented at Society for Cognitve Studies of the Moving Image, London, United Kingdom.

Peschl, F-M., Fundneider, T., & Kulick, A. (2015). On the limitations of classical approaches to innovation: From predicting the future to enabling "thinking from the future as it emerges". In Designing the Future: Economic, Societal and Political Dimensions of Innovation (pp. 454-475). Wien: echomedia buchverlag.

Peschl, F-M., Stepniczka, I., & Tomova, L. (2015). Social situation awareness: Emphatic accuracy in the aircraft cockpit. In D. C. Noelle (Ed.), Proceedings of the 37th Annual Meeting of the Cognitive Science Society: Pasadena, California, July 22 - 25, 2015 (pp. 2284-2289). Austin, TX: Cognitive Science Society.

Rosenberg, R., & Klein, C. (2015). The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings. In J. P. Huston, M. Nadal, F. Mora, L. Agnati, & C. J. Cela-Conde (Eds.), Art, Aesthetics and the Brain (pp. 79-108). Oxford.

Showing entries 60 - 70 out of 182